At RADAR we love EOFY. Not only for the pleasant surprise of a tax return (yay to unplanned savings) but also because it’s one of our biggest events on the RADAR social calendar.
Like the X Factor, each year we try and make it bigger and better and with more surprises and twists than the year before. Last year we went to Byron Bay for a lazy seaside overnight break, which can be summarised in three words: dreadlocks, lighthouses and late night kebabs.
This year, we wanted to do something totally different. So we went to Tasmania. Before you snicker sheepishly and ask if we visited the inbred bakery, let me tell you that Tasmania boasts something that none of our other states have: The Mona.
If you haven’t heard about the MONA (museum of old and new art) – let me put it in a nutshell. Guy makes a mint from Casinos, has more money than he can spend so develops a thing for art, finds himself a pretty cool cliff-face in Tasmania, builds a forward-thinking gallery and makes it free for the public. No biggie.
Fast forward taxi’s, magazine swaps on the planes, cheese and crackers, and another taxi headed deeper and deeper into dark clouds and we’re there. On first impression, the museum looks like an odd piece of architecture on a putt putt course on a cliff by the sea – not your traditional art gallery in a busy city centre. This set the theme for the whole experience: expect the unexpected.
On arrival we’re handed touch-ipods to enable a sensory experience of all of the artworks inside: the ipod contained artist statements, auditory soundtracks, additional pictures and artists biographies. It even allowed you to ‘like’ or ‘dislike’ the artwork and then showed each artwork’s popularity based on these ratings.
The interior of the museum is like a labyrinth. It’s dark, underground and seems to defy order – there’s no set direction or even defined levels. It could be the setting for Alice in Wonderland. We spent over 3 hours in there and still didn’t see everything.
The artwork, photography, sculptures, installations, assemblages and video/audio expressions were curated with the underline theme of death and sex. A visual depiction of what we avoid and what we pursue. Although this sounds slightly dismissive, it was quite powerful and thought provoking. Most importantly, it made us think. You can see from the pictures what was inside but keywords describing what we saw include raining words, videos of self-mutilation, vaginas, mummies and found objects. It was cold, smelly, loud, quiet, busy, empty and felt like a black whole: time didn’t exist.
After wondering around the gallery and casually bumping into our Director while he was admiring the mechanical faeces demonstration, we finished off the day in the very classy bar. Most of us kept our minds and mouths busy by guzzling a few too-many vino’s and some expensive cheese – perhaps to ease the awkwardness we all felt from what we just saw. Overall, it was an amazing experience and somewhere we definitely recommend you visit – even if it’s just for the vagina soap sculptures.